Thursday, January 27, 2011

Research Project: History of Malta

Edit: 01/31/2010 Pictures added

History of Malta -- interactions with other countries and cultures;

defining national moments; Mediterranean? European?; role of Catholic
church; architecture; etc. plus current population demographics

Maltese Demographics:
The country of Malta consists of the three inhabited islands
of Malta, Gozo and Comino although it should be noted that there are quite a few more
islands that are significantly smaller and uninhabited. The islands are formed from the high points of a land bridge between Sicily and Northern Africa.
Population: ~400,000 (extremely high population density at only 121 square miles)
Capital: Valletta (~half the population of Malta)
Religious affiliation: Roman Catholic 91-98%
Primary Ethnic Groups: Maltese with th
e seco
nd most population being British
Currency: The Euro (~1.36 USD: 1 Euro)
Current Maltese Flag:
(1) (2)


(3) (4)

The Maltese flag (1) was adopted September 21, 1964, the same day as Malta’s independence from Great Britain (2). The vertical white and red colors have their origins from the badge of the Knights of St. John (3)
When researching the Maltese flag, picture (4) came up on many occasions and you will notice the 4 white
arrows pointing to the center, a clear reference to the badge of the Knights of St. John(3).

Architecture:
http://www.youtube.com/
watch?v=FA3UPqX-b14

After watching the aerial fly-through of Vall
etta, the capital city of Malta, it is clear that some type of limestone dominates the architectural layout of the buildings. The buildings here are very monochromatic and demonstrate the Baroque style found in Rome, Italy. The Baroque styl
e is characteristic of high ceilings, minute details and the most common shape of choice is the oval. To demonstrate these styles please note the pictures below of St. Johns Co-Cathedral located in Valletta, Malta. This cathedral exemplifies the Baroque style and was built in the late 16th century following the establishment of the Knights of Malta.
















The Roman Catholic Church took to this style
of architecture due to its larger than life feel, creating an awe-inspiring display of craftsmanship commitment to the smallest of details.
With the peaceful takeover by the British at the onset of the 19th century, the style of architecture shifted away from the High Baroque style to a more “modern” style of neoclassical. Simply put, the lavish and dramatic architectural style of the Baroque era gave way to a more symmetrical, simple (by comparison), and calm architectural appearance of the neoclassical era brought from the British. One thing to note here is the differences are far more profound on the inside of the building as opposed to the façade or outside of the
building. To the untrained eye, these styles look similar but once you enter the building the architectural differences should become clear and distinct. A neoclassical example is provided below using the Rotunda of St. Marija Assunta (also referred to as “The Mosta Dome”) (5). This style is clearly an imitation of the world famous Pantheon of Rome, Italy (6).

(5) (6)















Sources:
Demographics
Flag Information
Architecture

1 comment:

  1. Tyler, based on the data you have collected to date, what argument would you make about the impact of other countries on the culture of Malta, and what is your sense of the/a "Maltese identity" or "character" or "dominant images/themes"? What is the current relationship between Malta and Britain / Malta and Italy? Also, beyond Britain & Italy, what of other major players? For example, the Knights of Malta or Napoleon (who apparently established a new legal system in Malta)? How is Britain's treatment of the Maltese different/the same as its treatment of Scotland, Ireland, or Wales? Finally, how does Malta understand itself today in the context of the EU and how is this shaped/not shaped by this history?

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